Free Press Summerfest 2011: Saturday In Photos

3:36 pm by

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The 2011 edition of Free Press Summerfest has come and gone, leaving only memories, ringing ears and the remaining particles of dirt under our fingernails that just wont seem to disappear. Houston came together for a hotter-than-hell two day party featuring a slew of both national and local acts on 8 stages throughout Eleanor Tinsley Park right under the shadow of the city’s skyline.

Saturday hosted a main stage that featured headliners Ween, as well as quite the diverse mix of acts in Beirut, Sharon Jones & The Dap Kings, Big Boi, Bun B and Black Joe Lewis & The Honeybears. On the other 7 stages, both local and regional acts brought the heat (literally) with standout sets from the gamut of them.

Check out loads of pictures from Saturday, June 4th at the 2011 Free Press Summerfest after the jump!

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Summerfest Re-Cap Video

2:29 pm by

The fine folks at Free Press Houston and Funwunce Supergroup put together a pretty awesome re-cap of the 2011 edition of Free Press Summerfest which took place last weekend in downtown Houston. This video shows quite a bit of the events, and does a great job at capturing the spirit of the festival. I’m working on putting my photos from Summerfest up, but while you wait for those, check out the official re-cap video.


Makes me long for more. Seriously. I can’t wait for 2012.

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Primus @ Verizon Wireless Theater

2:42 am by

Primus @ Verizon Wireless Theater

Way back at Bonnaroo in 2004, 7 years ago (ya, I know that was a while ago), I waited in the mud for a late night set from Primus that seemed like it would never happen. Because of a huge rain delay, their midnight set didn’t get started until about 2:30, and I ended up missing all of it. After waiting about an hour, I headed back towards my camp just in time to hear the opening notes of their set. I was pissed, and in need of some Les Claypool, but didn’t get my fill that night. Move forward four years and I finally caught Primus live, at Rothbury when my mind was well beyond coherent and I didn’t register their set like I usually do with most bands. Finally three years after that, and I had Primus in front of me in all of their glory in Houston – Les Claypool slapping the bass like he should with Larry LaLonde nailing the simple guitar parts and Jay Lane effortlessly working through the drums. Their music is not the easiest to digest, but being a fan it was nice to hear their versions of early 90’s Primus songs in the live format. Claypool has moved on from the goofy background he’s familiar with and enhanced the act of instrumentation in every group he’s been apart of, specifically Primus. While it has always been a treat to hear Claypool push the boundaries of the bass guitar, I’ve never seen him nearly as comfortable as I did that night at Verizon Wireless Theater – ripping through the songs he grew up playing. Even though I didn’t stay for the whole performance, I still came to realize that I’ll never see a better bass player than Claypool, let alone a better band instrumentally from the 90’s. An hour of music proved to me that the music of the 90’s was more than relevant. That’s a huge statement.

Check out a bunch of pictures from the show and the full setlist after the jump.

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Portugal. The Man @ Fitzgerald’s

2:30 pm by

Portugal. The Man @ Fitzgerald's

On a Saturday night, there are always plenty of options to choose from musically in our city of Houston. Hell, there were two solid shows at Fitzgerald’s that night alone. While I had the chance to check out the other one briefly (Wanda Jackson, who was awesome!), my choice performance of the evening was Portugal. The Man in the upstairs room at Fitz. This was my third showing from the Oregonians in a little over a year, including last year’s Warehouse Live performance and at Austin City Limits in the fall, so I was no stranger to what they were going to bring to the table live – a solid performance to a packed and sweaty room. The younger audience was much more apparent at this show, rather than the other two, mostly due to a growing radio presence, and the use of their songs in hit teen television programming. Usually it doesn’t bother me when the younger music aficionado’s of Houston join the ranks of us seasoned concert goer’s, but for this particular occasion it was a bit too much. Bringing their high-pitched vocals with them, the quieter songs of the evening, particularly during opener Telekinesis’ set, were all but ruined by the rumblings of the tweens. Thankfully, Portugal. The Man decided to play louder than usual that night, because they destroyed any chance of the kiddo’s conversing throughout the majority of their set. That, and eventually half of them got kicked out for drinking underage just in time for us to enjoy songs like “People Say,” “AKA M80 The Wolf” and a flawless cover of Etta James’ “I’d Rather Go Blind.” All was perfect in the world when they closed their heavier than usual set with the rocker “Chicago,” one of my personal favorites of their growing cannon of songs. It was a great show overall, but would’ve been better if Fitz was 21 and over. Can’t win ’em all!

Check out the rest of my smoke and laser-filled shots and peep the full setlist after the jump.

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The Avett Brothers @ Verizon Wireless Theater

2:34 pm by

The Avett Brothers @ Verizon Wireless Theater

This past Friday, The Avett Brothers, one of BOT’s favorites, made their way to Houston for a make-up show from last months cancellation due to a birth in the family. Well, they more than made up for it with a setlist that featured a wide array of their material from their entire catalog. While we didn’t get a chance to hear some staple songs like “Shame,” “The Perfect Space,” “Die Die Die” and “Weight Of Lies,” the show focused more on material that they rarely play along with some of their bigger songs from both Emotionalism and I and Love and You including “Laundry Room,” “Paranoia in B-Flat Major,” “Kick Drum Heart” and “Head Full Of Doubt/Road Full Of Promise.” While these songs were all highlights, it was their older and rarer songs and covers like “Colorshow,” “Blue Ridge Mountain Blues” and show-closing “Down In The Valley To Pray” that were the true set standouts. The most memorable moment of the show was a cover of David Childress’ “Prettiest Thing” that was placed in between a sandwich of “When I Drink” and my favorite Avett song “Murder In The City.” Three acoustics in a row… not bad! I’ve now had the pleasure of seeing the Avett Brothers on numerous occasions, but this show was unlike any other. They’re not touring in support of any album, which gives them the opportunity to push the boundaries of song selection and placement, so this is a great time to catch them as you don’t know what you’ll get from the boys. I’m sure they’re working on a new album, which was proven by a few choice new tunes played that evening, so as soon as that drops expect shows to get a bit more standard. Until then, though, I’d highly recommend catching them live if you have the chance.

Check out my photographs of the show and the full setlist after the jump

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