houston | Breakfast On Tour

20th Annual KTRU Outdoor Show In Review

Apr 15, 2011 by

20th Annual KTRU Outdoor Show

Last weekend, the BOT Houston crew headed to Rice University to take in a full day of music during the 20th Annual KTRU Outdoor Show. With a stacked local and national line-up, we had no better place to be on a warm Saturday afternoon and evening.

Read all about the day after the jump

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Scissor Sisters @ Warehouse Live

Apr 12, 2011 by

Scissor Sisters @ Warehouse Live

I had the opportunity to take in a Scissor Sisters performance last week, and I feel like a much more enriched person after. It was intense – in the best way possible. The Ballroom was pretty full at Warehouse Live when Scissor Sisters took the stage, and everyone was pretty amped after the unexpectedly delectable opening set of BATHS just moments earlier. With an unadulterated energy flowing throughout the room, the Scissor Sisters turned the exuberant mass into a sweaty mess by midnight. Making Monday at WHL seem like a Saturday at South Beach, the hits kept flowing, and songs like “Take Your Mama,” “Mary,” “I Don’t Feel Like Dancin’” and a peculiar take on Pink Floyd’s “Comfortably Numb” made people forget their inhibitions and go all out without the thought of hitting the job-front early in the morn. Confetti, thongs, Marc Brubaker look-a-likes making out with bears, Vin Diesel, leather, fishnets, chaps, booze: the greater things in life. What a show.

Check out my shots from the night after the jump.

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Chromeo, Neon Indian, Skream & Benga Headline Free Press Summerfest’s Dancey Pants Tent

Apr 6, 2011 by


An announcement came earlier this morning that a list of electronic acts have been added to the 2011 Free Press Summerfest line-up, but there is a catch to see them. The first ever Dancey Pants Tent will feature the likes of Chromeo, Skream & Benga, Neon Indian, 12th Planet and Lil Keke among several others, but to see these acts, you must be wearing the highly toted “Baller Status” badge. While it includes free drinks and snacks, air conditioning, massages and other free swag, it also holds a much higher price tag ($225) than the normal festival pass ($40) and the Fancy Pants pass ($70). If you can pound the free drinks, it might be worth it, but that is definitely a steep incline in price. Just seeing Chromeo would kinda be worth it as well, hopefully they’ll also play a regular set on the main stage, or possibly an aftershow. If not, that’ll be a bummer to all those that don’t have Baller Status.

Check out the full line-up for the Free Press Summerfest Dancey Pants Tent after the jump

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Todd Snider @ Warehouse Live (Studio)

Mar 30, 2011 by

 

Todd Snider is one of those guys whose lucky break always seems to be right around the corner – his undeniable talent and engrossing personality leave the universe no other option but to catapult him towards all his wildest dreams, right?  Well, brothers and sisters, I think they have.  It’s rare to see a performer as happy onstage as Mr. Snider was last Thursday – breaking into a grin every time a bandmate nailed a solo or the crowd nailed a singalong.  Who needs success on Nashville’s terms?  As he says in “Just Like Old Times” – “We’re living out a different kind of American dream.”  Most of us packed into the Warehouse Live Studio last Thursday feel the same way.  Some of us were already converts, and those that weren’t assuredly left as washed-in-the-blood Snider evangelists.  I arrived towards the end of Great American Taxi’s set, which closed with Robert Earl Keen’s “I’m Coming Home” and their own “Good Night to Boogie.”  Read on for my take on Todd and the Taxi’s performance, the setlist, and Eggs’ photos.

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EOTO @ Fitzgerald’s

Mar 29, 2011 by

EOTO @ Fitzgerald's

The other night, after a fine showing by Todd Snider and the boys in Great American Taxi at Warehouse Live (that Bacon will be telling you all about soon!), we scooted our way through downtown and into the Heights to catch a set from electro-looping/live drum duo EOTO at our second home, Fitzgerald’s. Composed of Michael Travis and Jason Hann, the percussion section of jam titans The String Cheese Incident, the duo completely improvise every single set right down to the very last note. When I first started seeing EOTO back in 2007 I was intrigued by what was coming out of the duo, but soon enough I found myself really into what they were doing, and now they they have completely blown me away with every performance. Now, with about twenty shows under my belt (they are one of the bands I’ve seen most just by pure coincidence), it amazes me how much the group has grown in their 5 years on the road. I’ve never really been a fan of their studio work, mainly because the awe factor comes from seeing them make their magic on stage and getting your groove along too it. Their music is nothing like the bluegrass, rock and jam that String Cheese is known for, they actually lean towards more popular electronic genres such as House and Dubstep. Their fanbase remains the same, though, with Houston’s entire wookie population in full force smoking out the place. I love when jambands come to Houston (which seems to be becoming much more rare these days) mainly because it’s a return to my roots. I miss the people that surround the scene, and the scene itself. It’s so much different walking into a mess of indie scenesters than it is into a hoopla of hippies. It doesn’t matter who you are, what you look like, how you dress, what you smell like, who you’re with, what you do or why you are there; the hippies will always welcome you with open arms. This show once again proved that. Come back EOTO, you know you’re welcome at any time.

If you like a whole bunch of color in you photographs, check out more shots of the show after the jump.

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